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“Look at any photo from a moment of supposed zeitgeist in American history, and it will be clear that not everyone in that moment represented the cutting-edge of culture.” –Rolf Potts
In this essay episode of Deviate, Rolf talks about why he enjoys listening to Rob Harvilla’s podcast 60 Songs That Explain the ’90s at double-speed, but that he’s disappointed Rob has never alluded to Rolf’s own 1990s grunge band, Swizzlefish (1:45); Rolf describes his move from Kansas to the Pacific Northwest in the year 1990, at a very specific moment in America’s cultural zeitgeist (10:30); the origins of Swizzlefish, and how its formation with Rolf’s friends Ryan and Steve was compromised by the fact that Rolf and Steve were in no way musical virtuosos (18:30); the circumstances of the first Swizzlefish live show, and how it caused an immediate controversy on Rolf’s small Christian college campus (30:00); what Portland’s indie-rock scene was like in early 1993, and what kinds of bands Rolf and his friends saw there (35:00); how the second Swizzlefish concert resulted in the band getting banned from playing on its own college campus (42:00); Swizzlefish’s spring 1993 performance at Portland’s X-Ray Cafe, and how the middle-class normalcy of its fans evoked something true about grunge music (49:00); Rolf’s eventual move to Seattle to work as a landscaper, his experiences at a 1993 Nirvana show there, and the curiously enduring legacy of Swizzlefish more than 30 years later (57:30); and Rolf talks to music journalist Rob Harvilla about Rolf’s brief appearance in the 1992 horror movie Dr. Giggles, their respective experiences with 1990s music, and whether or not Kurt Cobain would have liked them (1:06:25).
The 1993 Swizzlefish album Big Time Loser is available for streaming on Spotify.
Rob Harvilla (@harvilla) is the creator of 60 Songs That Explain the ’90s, a book and a podcast that explore the pop culture of the decade through music.
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Bands, musicians, and songs mentioned:
Other links:
The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.
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