A folk history of Satanic Panic, backmasking, and rock music in the 1980s

Episode 141 October 06, 2020 01:24:48
A folk history of Satanic Panic, backmasking, and rock music in the 1980s
Deviate
A folk history of Satanic Panic, backmasking, and rock music in the 1980s

Oct 06 2020 | 01:24:48

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Hosted By

Rolf Potts

Show Notes

“There are the actual facts of what was happening in popular culture in the 1980s — and then there was this tantalizing notion that music played backwards was going to seed our minds with evil. Which was scary, but also kind of cool to a certain kid-like way of thinking.” — Rolf Potts

In this rebroadcast episode of Deviate Rolf delves into the idea of “backward masking” in rock music, and how it came to influence notions of “Satanic Panic” in America over the course of the 1980s. Returning to the show for this musical deep-dive are Jedd Beaudoin (@JeddBeaudoin), who hosts the syndicated music show “Strange Currency,” and Michael Carmody (@Carmody68), a musician, record collector, and entrepreneur.

Together they discuss preacher Jacob Aranza’s underground-classic 1983 anti-rock book Backward Masking Unmasked and its idiosyncratic take on popular music (4:00); the history of rock and roll and American culture that led up to Satanic Panic in the 1980s (31:10); how rock acts exploited the idea of Satanism to sell records just as preachers, politicians, and pop-journalists fixated on its supposed dangers to attract followers (42:10); and the legacy of Satanic Panic and the seeming lack of evil in today’s popular music (1:05:45).

Rock and roll curiosities mentioned

Movies and TV shows mentioned

Other people, institutions, and events mentioned

Rock Devil Rock CHiPs TV clip

Quincy punk-rock episode clip

This episode was engineered by Torin Andersen of KMUW studios in Wichita. The Deviate theme music comes from the title track of Cedar Van Tassel’s 2017 album Lumber.

Note: We don’t host a “comments” section, but we’re happy to hear your questions and insights via email, at [email protected].

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